Alfred Hitchcock made “Marnie” in 1964, just
after “Psycho” (1960) and “The Birds (1963). This film was more of a return to
some of his earlier working approaches, being somewhat stylistically similar to
“Rear Window” (1954) (it included the patented “Rear Window zoom”) and “The Man
Who Knew Too Much” (1956) in its visual approach. The movie’s story is as
follows: Marnie Edgar (Tippi Hedren) is a compulsive thief and liar, she is
conned into marrying Mark Rutland (Sean Connery), even though she is repulsed by
the mere thought of men. This results in a series of events which leads to the
uncovering of her mysterious, clouded past.
While watching “Marnie”, I felt something was
amiss, the acting was fine, the direction was of Hitchcock’s brilliant standard
and all of the technicalities were in order. After the film I realised that for
the longest time in the middle of the film, the story didn’t really move,
didn’t really go anywhere. This pacing problem did bring down the film a bit
(though not enough to make it a really bad film). The film was about 130
minutes long, this could have been cut down to 70-90 minutes easily. This film
was supposedly going to be a dialogue orientated movie; however the dialogue did
lag at times in Marnie. All in all not a terrible film, but not up to the standard
that Hitchcock set for himself in most of his movies.
Rating: 6.5/10
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